Soprano Patricia Racette has appeared in the most acclaimed opera houses of the world including the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Canadian Opera Company, Royal Opera House, La Scala, Paris Opera, Theater an der Wien, Gran Teatro del Liceu, and the Bayerische Staatsoper. Established as a great interpreter of Janáček and Puccini, she has gained particular acclaim for her portrayals of the title roles of Madama Butterfly, Tosca, Jenufa, Kátya Kabanová, and all three lead soprano roles in Il Trittico. Her repertory now expands to include triumphant portrayals of Strauss’s Salome, Minnie in La Fancuilla del West, Katerina in Lady Macbeth of Mtsensk, Magda in Menotti’s The Consul, Anna Maurrant in Street Scene, Kostelnička in Jenufa, and Elle in La voix humaine.  She recently added several new roles to her repertoire including Sister Helen in Jake Heggie’s Dead Man Walking, Madame Croissy in Les Dialogues des Carmelites and Desirée Armfeldt in A Little Night Music. She has been a favorite on The Met: Live in HD series as both leading lady in Madama Butterfly, Tosca, and Peter Grimes as well as the celebrated host for multiple other productions.

A champion of new works, Ms. Racette has created roles in a number of world premieres, including Leslie Crosbie in Paul Moravec’s The Letter at The Santa Fe Opera, Roberta Alden in Tobias Picker’s An American Tragedy at the Metropolitan Opera, the title role in Tobias Picker’s Emmeline at the Santa Fe Opera (broadcast on PBS/Albany Records audio), Love Simpson in Carlisle Floyd’s Cold Sassy Tree at the Houston Grand Opera, and most recently, the title role in Tobias Picker’s Dolores Claiborne at the San Francisco Opera.

Ms. Racette made her directorial debut with a new production of La Traviata at the Opera Theatre of St. Louis in the summer of 2018 and has since directed productions there of Susannah and Poulenc’s La Voix Humaine in which she sang the lead role. Other recent productions have included Roméo et Juliette at the Arizona Opera and Don Giovanni for the San Francisco Opera’s Merola Program, and this season she directs John Corigliano’s The Ghosts of Versaille at Rice University.  A planned production of La Voix Humaine at the Dallas Opera was unfortunately cancelled due to the pandemic.